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Posts: 4622
Jan 28, 2008 10:48
Lucky: That tip was a bust -- what happened?
Sam: I think one of the stitches popped on her leg when she was putting Jake into his crib.
Elizabeth: I'm fine.
Lucky: No, you're not, you're white as a ghost. Did you call somebody?
Sam: I couldn't -- she passed out, like, two seconds before you came in.
Lucky: Ok, I'm taking you back to the hospital.
Elizabeth: I just want to go home.
Lucky: You can't -- the construction on your house won't be finished until tomorrow. And you're bleeding, and you won't be any good to Cameron and Jake in this condition. There's no reason to worry about them.
Sam: Just go. I'll -- I'll stay here with Jake, he'll be fine.
Officer: You can't come in here.
Spinelli: Stone cold, look, I didn't know you were here. Please -- please don't be angry still. Are you -- what happened here?
Jason: Cooper -- he's dead. Maxie found him in his room, he hung himself. They think it's a suicide.
Spinelli: But you think otherwise?
Logan: Oh, you know, I came to see Coop in his room, I needed to borrow some money. Um -- we talked in his room, then we came down here. He wanted some coffee, I didn't, so I left.
Mac: Can anyone verify that?
Daniel: I can.
Logan: Coop wanted to get away with Maxie for a while.
Mac: Well, did he seem nervous at all?
Logan: Coop was Coop.
Mac: Meaning?
Logan: He wasn't a heart-on-his-sleeve kind of guy, you know?
Det. Harper: Well, you served together in the army. You didn't know how to read him?
Logan: Look, we were soldiers. I wasn't the man's psychiatrist. Played everything close to the vest. You couldn't tell what Coop was thinking just by looking at him. You just had to -- you had to go on his word for things, you know?
Mac: Did you see Barrett?
Jason: Only after Maxie found him.
Mac: Maxie, did Coop express any feelings of sadness or regret, any remorse?
Maxie: No. And stop trying to act like Coop killed himself -- he didn't. I knew him better than anyone, he had nothing to hide.
Det. Harper: Well, it looks as if he did. One of the officers found this in Barrett's pocket. It's the missing forensics report -- the D.N.A. match off Georgie to our killer.
Mac: It doesn't match Johnny Zacchara. It matches Coop. He was the text message killer.
Maxie: That's a lie.
Johnny: Leave us.
Trevor: You know, you look pretty good -- for somebody who almost blew himself up on our company ship.
Johnny: Lulu could've died in that explosion -- you and your filthy deal with Moreau.
Trevor: Hey.
Mr. Vaughn: Is there a problem, Mr. Lansing?
Trevor: No, Vaughn. Everything's all right, thank you. John, you were the one who drew Lulu Spencer into this. I told you to cooperate with Moreau. Instead, you spat in his face.
Johnny: And what did you do?
Trevor: I tried to make an alliance. Everything that went wrong was because you are a hotheaded amateur.
Johnny: I took control.
Trevor: You took control of dirt. You almost killed yourself. And you destroyed not only our ship, but an alliance that we could've used against Corinthos.
Johnny: An alliance that's still mine to make.
Trevor: Oh, Johnny. Not necessarily. What am I, chopped liver?
Kate: I was the one who wasn't getting the signals. From the moment I arrived in port Charles, you've been trying to bait Connie into coming to the surface with no regard for what it would do to me.
Sonny: Because I thought it -- it might make you human again.
Kate: Ok, so what you and your associates do to each other -- that's human?
Sonny: We got to do what we got to do to survive, Kate.
Kate: Well, Sonny, that's what I had to do. You think I could get where I wanted to go in polyester shorts, eating lasagna off tinfoil?
Sonny: Then maybe where you wanted to go wasn't such a great place.
Kate: Right, so the place where you are? Um, bodyguards for your children, kidnapping threats, assassination attempt -- what is so enviable about the place you put yourself in? And god help me, Sonny, but I can see past all of it and still be in love with you. No matter what, I can -- I can love you for the man that you've become, but you cannot grant me the same grace.
Sonny: That boy had nothing!
Kate: And that boy still has nothing. You're still angry at the world, trying to get back at it instead of living in it. You are living behind a mask of pain. I see him, Sonny. I can see glimpses of him when -- when you let them come out, when you leave this tomb of an office, when -- when you let someone coax you into doing something completely unselfish and uncalculated, like saving your brother's life and giving him blood when he needed it. Now, you told me that you did that for me.
Sonny: I did do it for you.
Kate: No, I don't think so. I think you did it for the little boy inside you, but you can't be proud of yourself, Sonny. You can't let down your guard because you're too afraid of showing weakness.
Sonny: You want to talk about somebody afraid of showing weakness? You want to talk about somebody unable to give an inch? Why don't we talk about the real reason you don't want to marry me?
Sonny: You painted a perfect world for yourself -- sitting up there in your upper eastside prison, being very careful not to let the past interfere with anything that has to do with your make-believe life. You are untouchable, Ms. Howard, but you are lonely as hell. No, let me -- let me just say that again -- Connie is lonely as hell.
Kate: You're wrong, Sonny.
Sonny: No, that's Kate Howard talking. Sure, she surrounds herself with, you know, people that she doesn't care about or -- or respect, but Kate Howard is just a designer suit of armor you drape over yourself when you go out in public. But Connie is still somewhere locked in there, screaming for help. The beautiful, silly girl who used to, you know, look down on everyone, thought she was better than anyone, until she'd snort out a laugh because she forgot herself. She is standing right in front of me -- cool as a statue, afraid to break because she doesn't want the real woman to come out.
Kate: Ok, so I'm right -- there's nothing about Kate Howard that you love.
Sonny: Kate Howard doesn't want to be loved! She doesn't want it, she doesn't need it, it scares the hell out of her! Kate Howard doesn't want to be Mrs. Sonny Corinthos, she doesn't want to be Mrs. Anybody.
Kate: That is ridiculous.
Sonny: That is not ridiculous! I wanted a life for us. You know, husband and wife, the real -- the real things. Doing real things, you know, like bumping each other trying to get a cup of coffee, having snowball fights with Michael and Morgan, laying on a couch, you know, falling asleep together, waking up in each other's arms, laughing about who -- who snored the loudest.
Kate: I want those things, too.
Sonny: No, you don't, no, you don't! Because eventually, the contact would be too much for Ms. Howard. Connie would -- would show herself more, and Kate Howard's not going to have that! Because she's going to have her magazine, she's going to have her name, and she's going to have her say, but I tell you what -- she's going to have nothing else when she could've had everything.
Ric: Look, without going into the deep, dark details of their lives, I can turn this property over to my father, and he can use it to destroy my brother. Or I could turn it over to my brother and he could use it to destroy my father. Or I could hold on to it myself and -- I don't know.
Woman: Oh, god. And the woman who gave you this devil's choice -- she's --
Ric: Skye -- she's -- she's not in the picture anymore.
Woman: Was she special to you?
Ric: I don't know. I guess -- I guess she -- she could've been. She had the good sense to walk away when she did. She saw me as another mistake in a long list of self-destructive landmark decisions and left town.
Woman: Hmm. Ok, so you came here to decide who is the least or most deserving of the three of you?
Ric: She said -- Skye -- that this could either be my salvation or my destruction.
Woman: Uh -- what do you say?
Ric: I don't know. I mean, look, I'm -- I practically told a complete stranger my entire life story, so I think that qualifies you for an opinion. If you were me, what would you do?
Woman: Whatever you're looking for, it ain't in these papers. It's in your heart.
Ric: Huh. Some people would say that I'd have to find that first.
Woman: Why not start there?
Monica: Tracy, I've had it with you! I really have --
Tracy: Agh -- stop!
Monica: Let me help you up, Tracy.
Tracy: Let go of me! I'm going to have you arrested for assault.
Monica: Can you imagine what Alan would be thinking right now? First, you forge his will, and then you assault his grieving widow.
Tracy: Which I als-- almost became, and I'm going to save another woman from becoming a grieving widow. Oh, you can rip that up into tiny little pieces, it's not going to make a bit of difference.
Epiphany: I guess --
[Cassius coughs]
Epiphany: Nursing has become a spectator sport around here.
Patrick: We have some of the best research facilities this side of the Mississippi.
Leyla: Nice to see you again, Dr. Devlin.
Patrick: So you've met Nurse Mir?
Ian: She gave me a tour of the O.R.
Patrick: Yes, Leila's very proficient, eager to learn.
Ian: How is she as a nurse?
[Ian chuckles]
Patrick: You finally decide what you want to do when you grow up? Last time I heard, you were heading for the fleshpots of Hollywood, going into plastics.
Ian: As much as your salacious imagination would have me in a sea of needy breasts, I found myself doing more than my share of reconstructive surgery for cancer survivors. I decided rather than do damage control, I'd start on the other end -- I'm an oncologist.
Patrick: Wow. That's a dramatic change.
Ian: Maybe I'm not as shallow as you remember.
Patrick: Yeah.
Ian: Why don't you show me the lab.
Patrick: It's this way. So, what kind of cases pique your interest?
Ian: The hopeless ones.
Det. Harper: It's kind of ironic, isn't it -- a guy who strangles people winds up hanging himself?
Mac: You have any doubts about this?
Officer: The tread marks match the photos of the ones on the perimeter of the crime scene, as well as the ones walking away from it.
Det. Harper: No doubts now.
Mac: Thank you.
Maxie: He was innocent.
Mac: I'm sorry, Maxie. Look, Coop felt he had nowhere to go.
Maxie: We were going away together.
Det. Harper: Well, it's a good thing you didn't -- you could've ended up a hostage or worse.
Mac: Sweetheart -- Maxie --
Maxie: I want to see him, please, dad.
Mac: No, absolutely not, no.
Maxie: He didn't have anyone, nobody except for me. I have to at least ride with him in the ambulance.
Mac: Maxie, he killed your sister.
Maxie: No, he did not!
Lulu: I feel awful for Maxie. First, Georgie, now Coop -- it's just -- it's hard to believe. I mean, what kind of reason would Coop have to do something like this?
Logan: Well, we won't know what was going through his head now.
Kate: Wow. That hurts -- and mostly because it's probably true. I still love you, Sonny. I still want you. What can I do?
Sonny: "What can you do?"
Kate: What we can we do?
Sonny: We can make sure that, you know, history doesn't repeat itself a third time. Or we can just pretend that you never came into this office out of the storm and back into my life. Or I can just pretend that I -- I never really knew you.
Kate: Well, I can't do that.
Sonny: Well, I can't -- I don't want to, either, but I'm going to have to.
[Music plays]
Kate: Sonny --
Sonny: Ahem. Doesn't "Couture" magazine have a deadline that maybe you need to go to?
Singer: You're used to getting things the easy way my life has been in all these years yes, I've paid for honesty I bend my heart on the ground
Singers: But then you came around
Singer: And everything was clear
Singers: You came around
Woman: You know, there are other places to eat at Martha's Vineyard.
Ric: Yeah, but I like it here. You know, it's safe, welcoming.
Woman: And therein lies the danger. This place is called "The Siren" -- named after the beautiful maidens of the sea who sing their songs of welcome to the sailors on the ship to lure them to their death on the rocks?
Ric: Oh. Well, they probably died happy -- I mean, how many men can say that?
Woman: Oh, god, put your papers away, they can wait, happiness cannot.
Ric: You're very wise, you know that?
Woman: Yeah, well, I talk too much, t -- um -- eventually I'll get around to saying something sensible.
Ric: Whoever tells you that you talk too much doesn't listen to you.
Woman: Yeah, but I -- I got other customers, so --
Ric: So I'll see you tomorrow, yeah?
Woman: Yeah, true.
Singer: Then you came around everything was
Jason: Hey, hey, what -- what'd you find?
Spinelli: Ok, I -- I hacked into the police database per your request and left the information you inquired about on your desk. But can I ask, why the sudden interest?
Jason: I guess it's possible it could be an open-and-shut case against Cooper, but one thing is bothering me.
Spinelli: What?
Jason: I got a call from Cooper. I mean, it couldn't have been much before he died. What would a guy about to kill himself want to tell me?
Lulu: As awful as this is --
Logan: What?
Lulu: It means Johnny's innocent.
Logan: Did you think he wasn't?
Trevor: Good news -- they just dropped the A.P.B. on you. So, from now on, you're going to be more careful -- and you're going to follow my advice to the letter.
Johnny: And if I don't?
Trevor: Well, John, I got miles to go before I sleep. And you'd be surprised how many tricks I still got up my sleeve.
[Trevor chuckles]
>> On the next "General Hospital" --
Maxie: The person who killed Georgie is still out there. Elizabeth: You're not going near my children after what you did. Kelly: I gather you haven't told the guy who got you pregnant that he's the father
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